Archive for the ‘Fashion’ Category

The dresses are coming, summer is on its way…

Monday, November 23rd, 2009

The weather has been getting decidedly warmer of late (at least where I live), and with the heat comes the sights that accompany the summer months…

Flowers are bursting into life and delivering their fragrance into the welcoming arms of the world…(they make the bees pretty happy too).

Summer Flower

Trees are becoming heavy with fruit and are then in turn frequented by many feathered and winged visitors who are happy to take advantage of their crop…

Summer Bird

Thank goodness for one solemn protector who guards the activities of this blooming, buzzing and fruiting garden with watchful eyes…

Summer Dog

As for me? Well happily, my recent love affair with dresses will grow ever stronger as we move towards Christmas and beyond. What could be more appropriate than a brightly coloured floral dress to usher in these blue sky days?

Summer Dress

Dress weather has well and truly been declared…

Sometimes I dream in tarot…what is & what was

Tuesday, November 10th, 2009

I often find myself lost in thought, reflecting on what has already come to pass and what is still yet to be. What decisions have I made to bring me to precisely this particular moment in time? What choices will tomorrow bring so that once more I may guide my own path towards some unknown, yet hopefully magical destiny?
… What cards will next fall?

It all started with seeing a photograph of Australian model Miranda Kerr wearing this dress some months ago. Normally I find myself ‘relatively’ immune to the temptations of (1) designer clothing garments, and (2) clothes worn by models, but for some reason my obsession with this Tarot Minded Dress by Australian label Antipodium took on obsessive proportions. The beautiful fabric and cut of this dress got under my skin, scurried into my mind, before finally burrowing deep within my heart.

I may not have gone where I intended to go, but I think I have ended up where I intended to be… (Douglas Adams)

The dress swirled its way through my dreams, passing to me in subliminal fashion its multi-coloured visions of how charming life could be with it by my side. Before I knew what happened, this dress HAD to be mine!!

Antipodium Dress

I searched for many, many weeks online and in stores, with no luck to be found. But then on a most auspicious day, THE dress appeared in one of my most-visited online stores. My hands followed the path already laid out by my head and heart, clicking immediately to ‘add to cart’ – the beauty was finally mine!

As silly as this may seem, now this dress has come home with me, I’ve fallen even more head over heels in love! It swishes and flatters while I tumble and swoon… I even adore the label which was attached to the dress:

This cosmically blessed print was designed by the very sexy Tamara Littlewood exclusively for Antipodium. May compliments and eternal blessings rain down on her and you‘ …

… only I like to think that second sentence is referring to me and the dress.

The September Issue – Film Review (BIFF)

Friday, August 7th, 2009

Anna Wintour, as the editor-in-chief of Vogue for over 20 years, has become a one-woman legend in the fashion world. Like many incredibly successful fashion ‘legends’, Wintour tends to polarise people’s opinions of her. Some see her as a hard-nosed, uncompromising businesswoman who wields her incredible power to wrongly influence and shape the entire fashion industry. Others see her as an incredibly talented saviour of fashion, a strong supporter of up-and-coming new talent, a trend-spotter, or in other words, nothing less than a fashion institution.

The September Issue is a fascinating documentary which covers the lead-up to the production of the September 2007, 840 page, record-breaking, fall-preview issue of Vogue. While the film centres on Wintour, we gain a much wider perspective of who she is as a person through the eyes of her family and her work colleagues – in particular the insights provided by Grace Coddington, Vogue’s creative director, whose relationship with Wintour is filled with a very healthy dose of conflict and criticisim. Coddington is the creative genius to match Wintour’s tough business focus.

Anna Wintour

Aside from the influence she wields within the fashion industry, Wintour is almost instantly recognisable as a visual icon as well – with her sharp bob haircut and trademark oversized sunglasses (which she pretty much wears all the time), she is hard to miss. While Wintour is strongly rumoured to have been the inspiration for The Devil Wears Prada, the view of Wintour contained within The September Issue is one thousand times more complex, more impressive and quite simply just ‘more’ than the fictionalised account ever presented.

Throughout the film, Wintour shares her thoughts about other people’s views of the fashion industry, we see how she operates in meetings with legendary designers, photographers and new fashion talent, we watch how she interacts with her colleagues and family, and perhaps most importantly of all we see how much work is involved in editing and re-editing one of the most important issues of Vogue for the year. In one of those ironic contrasts, it often seems that most of the people working behind the scenes at magazines are far from being stylish themselves, and there are plenty of examples of this phenomenon within the Vogue offices. As for Wintour…well, she is the epitome of feminine style and classical elegance, though suprisingly she certainly isn’t one to simply opt for black at every occasion.

In watching The September Issue I feel that I’ve come to appreciate the ‘business of fashion’ a little more, as well as having a clearer picture of who Wintour is, and an understanding of the huge workload that the production of a magazine involves. The secondary story of this documentary for me was really watching the other side of the magazine’s production unfold from Coddington’s point of view. She leaves me with no doubt of her talent as a styling master and in awe of her gifted eye for creating inspired, jaw-droppingly beautiful fashion spreads. I feel privileged to have been let into the secretive world of Vogue and the lives of Wintour and Coddington, even if it was for just a short amount of time.

The September Issue is a great documentary on many levels, but for me the highlight was seeing the somewhat tempestuous and complex marriage of Wintour’s business focus and Coddington’s idealistic creative eye, which has come to represent what Vogue – and I suppose ultimately, what fashion – is all about.

Loving my Minty Meets Munt shoes…

Tuesday, July 14th, 2009

Not that I really needed any more shoes, but it’s impossible to resist the object of your affection once you’ve fallen in love. In any case the pairs that I already own look nothing like these, so surely supporting individuality is enough justification in itself?

Minty Meets Munt shoes

Both of my new pairs of shoes are by the awesome Australian label, Minty Meets Munt and purchased from the wonderful Birdmotel online store. Minty Meets Munt pride themselves on quailty and ‘cheap chic’, two philosophies which I will happily support.

The black ‘Loella’ boots on the left are so comfortable and so versatile. Normally I am cautious when it comes to boosting my heel collection, but the platform at the front of these shoes completely balances the height of the heel which may otherwise scare me. While they may look like lace-up boots, the laces are only used to tighten the fit, they are actually zip-up (very sneaky, I know). These boots exude cool and for me somehow channel the spirit of Parisian chic…

The pale ‘Baby Doc’ cream boots on the right are so beautiful. My heart melted and I simply had to have them straight away. They are so cute and are a really different colour of shoe for me to wear. They feature a sweet wooden heel and instantly transport me backstage to a seriously cool 1960s style music after-party…not sure why as I’ve never actually visited one…but the imagination simply takes us on wonderful journeys at times, and all one can do is follow…

My Thoughts on a Standard for Clothing Sizes

Saturday, July 4th, 2009

The lack of standardisation in Australian women’s clothing has been receiving a fair bit of media attention in recent weeks. When I first heard the issue raised I remember thinking it would be great if there was a set of standard sizes that all designers utilised. Like many women, I’ve been frustrated by differences in sizing between brands. For as long as I can remember whenever I’ve gone shopping for clothes I’ve had to try on a couple of different sizes in whatever garment I was interested in, as it can be hard to always know what size you’ll be in any given brand. This has simply been part-and-parcel of buying most new clothes, especially when unfamiliar with a brand’s sizing. Just because a label says Size 10 for example, doesn’t necessarily mean that a Size 10 in a different store or brand will equate to the same measurements.

Clothing tags

So after my immediate positive thoughts about the introduction of standard clothing sizes, I then found myself thinking about the issue a little more. Quite frankly I struggled to see whether it would make a significant difference. I can see that some benefit could be gained from having a standard range of measurements for each size (for instance particular dimensions in place for a Size 10 garment), so then in an approximate sense you’d have a pretty good idea of where you’re likely to fall on the sizing scale. However the introduction of precise measurements for clothing sizes still doesn’t solve the problem of having to try on clothing. It is unlikely that you’d ever be able to walk into any store and purchase a Size 10 (if that is your pre-determined size) in any garment, as the fit of an item of clothing is so much more than its measurements.

For instance, I know of at least three female colleagues who would all be around a Size 10 and yet they have completely different body shapes. They may have a similar waist or chest or hip measurement, but the style of clothing which suits them differs markedly. Regardless of the sizing issue, a similar garment (for instance a simple black skirt) which is compared across different brands may differ in cut, fabric, detailing, length or quality. In other words while the sizing may be exactly the same (for instance they may all be labelled as a Size 10) and share the same measurements, the fit the wearer experiences can be worlds apart. You could never, ever just trust in the fact that the same sized garment would in actuality ‘fit’ each wearer off the hanger.

One of the issues which is also being discussed is that of ‘vanity sizing’, where designers and manufacturers of clothing may understate clothing sizes in an effort to flatter their customers’ egos. In this way a size tag isn’t just used to indicate a garment’s size, it is being used as a marketing technique. Look, everyone loves to be flattered and never more so when it comes to the delicate discussion of size (which is then a reflection of weight and general aesthetics…which can then open up a whole range of physical and emotional issues), and if a particular designer’s clothing tells you that you’re a Size 8 when every other brand is telling you that you’re a Size 14, well sure – why wouldn’t you support the flatterer if you liked their clothes? Again I ask, why does it matter? Apart from potentially deluding the purchaser of their clothing into thinking they are smaller than they actually are, where is the harm?

Another issue raised is that of top-end fashion designers who can utilise their own sizing systems that often fail to cater for larger or smaller women. Now I can understand the frustration of finding clothes that you really, really love and then having the sad realisation that the designer doesn’t in fact make clothing in your size. But I don’t think this is a problem that can be solved by a national clothing size standard. This is really a decision made by particular designers in working out what segment of the market they are looking to target. I fail to see how they can be forced into making clothes for all sized women if that is not their desired market. Of course I understand that no one likes to be automatically excluded, and left feeling like they are not ‘represented’ by particular brands. All that can really be done in these situations is to voice your opinion with your shopping habits and only support brands that reflect your size.

I will concede that the clothing industry does need to accommodate the increasing demand for online shopping. But perhaps this responsibility doesn’t rest solely with the designers working with standardised sizes, it rests also with the online retailers. I would say that I purchase roughly 85% of all my clothes online, and I can honestly say that I’ve never had a problem with purchasing the wrong size. I think that this is largely due to being familiar with the particular brand or designer of the garment and therefore already knowing what my size will be, or basing my size decision on the brand’s size guide which a lot of online stores now provide. Failing that, if I ever have any doubt on sizing I’ll send an email or call the store owner and discuss the fit if I need further information. But honestly for me this research process is just part of the online shopping experience. Providing online consumers with as much information as possible (not just a size) is the best way to give the purchaser confidence to proceed with making a purchase. In any case most online stores have really good return, exchange or refund policies in place, so if there was ever a problem with buying the incorrect size it could be readily fixed.

Confusion on clothing sizes can also be introduced by designers who do not even use the numerical sizing system, but instead label their clothes as ranging from Extra-small, Small, Medium, Large and through to Extra-large. Some designers can call a Size 12 as being ‘medium’, whereas other designers may say a Size 12 is ‘large’. Again achieving the right fit in these garments is all about trying the garment on or following measurements which are provided in size guides. Sure this may  be frustrating, but it is unlikely that you’d be buying a garment straight off the rack anyway without trying it on because of the whole range of factors mentioned above which can impact on the garment’s fit.

Hanging Clothes

Similary I’ve noticed a few Australian designers have abandoned the traditional numerical system (that is, Size 8, 10, 12, 14 and so on), and have applied a new numerical code ranging from 0 to 4. In my experience a Size 3 under this system equates roughly to a Size 12. Again sure perhaps there’s a certain level of frustration which comes from decoding these sizes into something meaningful for your own shape, but again once you’ve tried on a few garments you soon get a feel for the sizing. As I keep mentioning it is pretty rare that you’d ‘buy before you tried’ (especially if the sizing structure seems a little unfamiliar).

So apparently the major reason for this lack of standardisation in clothing sizes is due to a lack of data on the Australian female form over the past fifty years (according to Choice). The hope is that a government-funded national sizing survey would provide updated information on current shapes and sizes, and then become the basis for a voluntary standard for the industry on which to base its sizing systems. I can certainly see that undertaking a national size survey to gain a greater understanding of the ‘average’ Australian female form would be interesting, I just don’t know whether I see much value for the consumer in introducing a voluntary sizing scheme.

I feel that there are likely to be more pressing concerns in the clothing and fashion industry which may warrant more urgent attention – issues such as the environmental and social consciousness of the clothing industry and the ongoing problem of using unrealistic images to market clothing (especially to young girls) through the use of techniques such as air-brushing and only showcasing models that are far too skinny. Important issues yes, but easy to address and solve? No, certainly not at all. There are so many complex issues to face within the industry, issues which are likely to require massive physchological and cultural shifts on a wide scale – not an easy change to achieve.

The problem with a voluntary clothes sizing scheme is simply that it would have to be ‘voluntary’. Therefore there would be no real requirement for the entire industry, designers and brands to get behind the scheme and adopt it’s sizing structure. I’d hate for the government and industry to waste resources by trying to introduce a layer of bureacracy that may not in the end, add all that much value.

Beautiful Roses…not just for the garden…

Sunday, June 21st, 2009

So apparently this season accessories are the new black. Aside from the practicality of such a fashion philosophy, it also works well in these recession impacted times. After all, there is no better (or more efficient) way to update an existing wardrobe than with the addition of a few well chosen accessorising pieces – remember, contrast or complement ladies. Rather than allow these challenging economic times to completely hamper my shopping style (or in other words force me to sacrifice the joys of shopping altogether…such a horrible thought), I’ve simply learnt to adapt to the current set of circumstances.

I recently indulged in a little ‘accessorising’ when one of my favourite online stores, Maubourg took a fantastic 50% off all their in-stock items. I took the opportunity to purchase two beautiful Joveeba ‘Rose Belts’ – one in black and one in silver. They are gorgeous beyond belief and I’m convinced they will make any outfit transform into something even more wonderful.

Joveeba Rose Belts

A strong economy will need some strong spending, and I feel obliged to do my part for the good of the country. In any case, there is much to enjoy about purchasing accessories. There are a wide variety of items available at any given price point, they are often more compact than clothing (and therefore easier to hide if necessary), and regardless of how you’re feeling on any given day, they will always fit.

The only downside with focussing spending on accessories is that items such as jewellery, scarves and belts are so much easier to buy than clothes (and may therefore negate any perceived money saving intentions). But with that being the only real negative, I hope you’ll agree that the positives certainly win.

So I’m no Carrie Bradshaw…

Tuesday, June 2nd, 2009

Living between a number of different homes in recent years, and having my belongings half split between the houses and half locked away in storage, I decided to indulge in a little shoe shopping to boost my seriously lagging collection. Given that my shoes were never all together in one place at any one time, I never seemed to be able to keep track of how many pairs I actually owned, or for that matter, where they all were. 

Late last year I was finally able to reunite all my material possessions into the one house, a move which brought with it some good and some bad. Good on the one hand to finally have everything in the one place, but bad on the other because now I could actually see how many things I owned. And this included shoes… I very quickly discovered that there were (and are) a scary amount of shoes in my possession.

I did my best to do the whole ‘Carrie Bradshaw’ thing for a while and leave all my beautiful shoes carefully stored in their original boxes. And sure, this worked well for a while, mainly because it’s so easy and so convenient to stack shoeboxes away in your wardrobe. However when it came to the actual practicality of wearing the shoes, this storage system failed on a number of levels – It was too hard to get to the shoes, I still found it hard to work out exactly what pairs I owned, and the boxes just took up way too much space. And let’s face it, unlike Carrie I’m hardly working with seriously expensive Manolo Blahniks or anything even remotely close. It was finally time to relax the strict storage code and release the beauties from their boxes!!

Shoe boxes

Yes, this is an embarrassing number of shoe boxes (and this isn’t even all of them), and yes there are three stacked layers of shoe boxes shown in this picture. But let’s not focus on that… The emancipated shoes are now enjoying their freedom and relishing their new lives outside the stifling confines of their boxes.

Every wonderful pair can now be found lovingly displayed on my seriously cheap Ikea shoe racks (but that’s a whole different story). Thankfully all my shoes are finally accessible, properly stored and more importantly, now that I can see them, they actually have a pretty good chance of being worn.